TOM ZUBRYCKI is an Australian filmmaker whose award-winning documentaries have for the past 45 years mapped this nation’s changing social and political landscape.
KINDRED
A journey into the emotional landscape of family, love, and trauma of two close friends, both Indigenous, who were adopted by white families. (Producer: Tom Zubrycki)
FILMS
A journey into the emotional landscape of family, love, and trauma of two close friends, both Indigenous, who were adopted by white families. (Producers: Tom Zubrycki, Gillain Moody)
The Carnival captures the intimate moments of the six-generation carnival family, the Bells. The documentary will follow the Bells as they haul their convoy of 30 trucks and rides across the country with their workers, where they’ll face the elements, shutdowns and bushfires - battling to keep their family business running and on the road. Writing, directing and co-producing is Isabel Darling
A documentary made beteen 1983 and 1985 about the Sydney suburb of Marrickville, and its multicultural community
In mid 60’s in Australia and around the world artists and filmmakers organised filmmakers cooperatives supporting self-managed production, distribution and exhibition. The Co-ops nurtured Australia’s cinema renaissance and created new markets for strikingly innovate Australian content. It was a time that was rich, reckless and rewarding.
Rembetika music or the Greek blues is a music of the streets and a music of refugees. In this essay style documentary filmmaker Mary Zournazi explores the heart and soul of Rembetika music through peoples’ stories of love, loss and belonging, as well as her own. (Producer: Tom Zubrycki)
Opera singer Tiriki Onus sets out to uncover the mystery surrounding the life of his Indigenous grandfather, William Bill Onus – charismatic Aboriginal cultural leader, entrepreneur, theatre impresario and, probably, the first Indigenous filmmaker. (Directors: Alec Morgan and Tiriki Onus, Producer: Tom Zubrycki)
ARTICLES
Platform Papers – Quarterly Essays on the Performing Arts 2019
Documentaries matter now more than ever. Documentary storytelling is a vital way to explore our world and who we are as a nation. In this they are as much an art form as about real life—and that’s sufficient reason for them to have a strong cultural imperative.
A STUDY OF TOM ZUBRYCKI’S MOLLY & MOBARAK
Kate Nash, Studies in Film, University of Tasmania 2010
Power represents a problem for documentary, raising questions about the politics and ethics of representation. In this article the notion of power in documentan; is explored. The influence of domination as a model for power relations within documentary is challenged and a Foucauldian notion of power relationships suggested as an alternative way of conceptualising the documentary-maker participant relationship.
BY PAUL BYRNES on the occasion of the 60th anniversary of the Sydney Film Festival.
Tom Zubrycki attended his first Sydney Film Festival around 1970. He remembers loving Ken Loach’s films Cathy Come Home and Family Life. Most of his documentaries since 1981 have screened at the festival. Former SFF Festival Director Paul Byrnes sat down with him to talk about the relationship between the Festival and documentary films, especially his own.